Tuesday, November 17, 2009

Railroad Hamlets



"All across America, hamlets grew into towns, and towns into cities, with the coming of the railroad; and with the going of the railroad, cities faded into towns, towns into hamlets, and hamlets into ruins. As if it were a vessel supplying blood to the brain, the shutting off of the railroad brings on stroke, paralysis, and death..."

--Donald Harrington, Let Us Build Us a City

But the real blood flow in these towns and cities wasn't actually engines, cars, or cabooses: it was people. And the blood, the people, would exit and enter the railroad cars into the bloodstream of America by way of depots. I've been here before--to train stations--and I've returned again. The first few are all remarkably similar to each other, and all three are conspicuously located along U.S. Highway 64 (a new, rerouted vein).



Russellville's depot stands proud on a podium of pristine concrete, surrounded by curving sidewalks and pedestrian statues crystallized in bronze. It's the center of attention in a downtown restoration not, hopefully, just limited to Russellville. The station, like the other two on 64, still commands its own section of tracks, but no passengers have boarded a train from this station in probably 50 years.



Continuing to the west, Morrilton (the aboriginal location of Harding University) wields a dusky downtown and another Italianate station, this one converted into a geneology museum. The station, like Russellville's, owns its own little section of sidewalk with brick borders and immobile wooden benches. Do festive Morriltonians inhabit these benches at any time? During our short stay in the town (near twilight), we spied no pedestrians.



The last stop on highway 64 is Atkins. Though Atkins' station is quite similar to the other two, it has been left high and dry on a slough of gravel and weeds, separated from its blood vessel by a rude wire fence. The station does not seem to be home to any organization in particular, but it does bear the town's name and appears to be in generous upkeep.

In a different direction, in the north part of Arkansas, south of Harrison and north of Conway, we find a true railroad hamlet: Leslie.



Even in 1950, the town's depot was forlorn and probably mostly empty of red blood cells. Leslie was legitimately a town that was born and died with the railroad; in the early 20th century, it was the end of the line, with only steeper grades reaching northwest beyond. Its population doubled and redoubled and re-redoubled until it teemed at nearly 10,000, a gurgling mass of industry, entrepreneurs, and--no doubt--gallons of hard liquor. But the industry left with the railroad, and the population finally tumbled down to around 500 today.



I had to blink and rub my eyes a couple of times before I decided that yes, this was a train station, and yes, trains once did chug their way this far into the mountains. But they do not anymore, and Leslie's depot is now embargoed into the property of a local lumber company. Stripped of its passengers, its rails, and its dignity, the building probably does its best to hide its original, all-important identity.

Leslie's is not a story of failure, however. The little town is just off the beaten (automobile) track towards Harrison and Eureka Springs, and has managed to save their downtown from desolation, instead transforming it into a pleasant, antique-store laden diversion. It's also home to a few cafes and a renowned privately-owned bakery.

Each of these towns with their stations reminds me of a time when cars did not own our lives, and gives me a little (just a little) hope that one day we may pluck them from the hands of the lumber yards and historical societies and cobwebs to supply that energizing lifeblood again.

-Jonesy

Tuesday, November 3, 2009

Our Arkansas Traveler Map: November 2009

As Jenna and I travel around Arkansas and explore, we keep a record of our journeys on this road map:



The thumbtacks represent towns, cities, and some other-type locations we have visited ("visited" here meaning going out of our way to experience, rather than just driving through). Major roads we've driven on are highlighted in orange. The action figure doesn't really represent anything. But he's pretty hilarious, isn't he?

Here's a list of all the places we've been, as of now:

Atkins
Augusta
Bald Knob
Batesville
Beaver
Beebe
Berryville
Blanchard Springs Caverns
Booneville
Bradford
Cabot
Calico Rock
Center Hill
Charleston
Conway
Danville
Dardanelle
Eureka Springs
Fayetteville
Fort Smith
Garner
Greenville
Heber Springs
Hot Springs
Jacksonville
Judsonia
Kensett
Little Rock
McRae
Morrilton
Mountain View
Newark
Newport
Nimmo
North Little Rock
Ola
Paris
Pine Bluff
Possum Grape
Rose Bud
Russellville
Searcy
Sheridan
Subiaco
Tuckerman
Van Buren
Winslow
Wynne

I figure I'll be posting updates to this map every six months or so. I plan to visit at least every major city in Arkansas at least once, and just coat that map with thumbtacks.

-Jonesy

Saturday, October 31, 2009

Happy Halloween!

In the spirit of Halloween and Time Fishing, here are five animated shorts from the golden age of animation (and theaters), in chronological order. Beware of haunted houses, grinning ghosts, and dancing skeletons!



1. Haunted House (Disney, 1929)

This is a classic tale of a gimmick-laden gag haunted house, complete with a lengthy skeleton dance number. But the main reason to watch this is for the joy of seeing the mouse prince of commercialism having the crap scared right out of him.



2. Hittin' the Trail to Hallelujah Land (Warner Bros., 1931)

This is one of my all-time favorite cartoons. I originally found it on one of those dollar store 6-hour cartoon tapes, sandwiched between some of the lamer color Popeye material and the 1970s Three Stooges 'toons. It's mainly known as one of the Censored Eleven, a group of Warner Bros. cartoons that have not aired publicly since the 1960s on account of their racist content. Frankly, I never really saw what was so racist about it, especially when viewed alongside cartoons like . I love it for its eerie graveyard sequence, catchy tune, and twisty-mustachioed villain. Also keep an eye out for the overt ripoff of Steamboat Willie.



3. Minnie the Moocher (Max Fleischer, 1932)

Here is one of the all-time weirdest Betty Boop shows. And if you've ever watched a Betty Boop cartoon, you know that's saying a lot. Betty gets upset with her parents, grabs Bimbo, and flees her house, running headlong into a cavern inhabited by a ghostly rotoscoped Cab Calloway disguised as a dancing walrus, while ghoulish creatures frolic in the background.



4. Skeleton Frolic (Columbia, 1937)

Admittedly, this film is more or less an outright plagiarism of Disney's 1929 short The Skeleton Dance. They were both directed by the same animation genius, Ub Iwerks, also known as the guy who actually created Mickey Mouse. But it is, to me, a more evolved and nuanced version of the earlier subject. It's also in color and brimming with frightful gags and moody color schemes.



5. Jasper and the Haunted House (1942)

The last cartoon on here is also one of the most unusual. It's a George Pal Puppetoon, a stop-motion feature from a series of other subjects also starring the young black child named Jasper. George Pal was accused of racism for his cartoons, but I think those were overblown claims from an overly sensitive time. This one I love just for how extraordinary is. Plus, the scarecrow and his raven are some of my favorite cartoon villains I've ever seen.

My favorite line from this one: "I SHO GOT ME A MESS O' PIE."

Happy Halloween!

-Jonesy

Thursday, October 29, 2009

October Special: Part 4

As the October Special began, so also shall it end: with a house that is in every sense haunted.

In my early days of downtown-exploring, before I really knew the causes of small-town rot, downtown desertion and suburban sprawl, I was a lot more fascinated with ruinous buildings than I was the reasons for their ruin. One of the first towns I explored was the close-at-hand Judsonia (which I discussed in my second-ever post). This nearly-deserted town has plenty of charm; there are some brick storefronts, signs of old commerce, a rusty water tower, a picturesque trestle bridge.

And then, there's the house.



It rises from the ground like a recent corpse, shouldering off grasping, earthen tendrils. Some of its windows are blinded by rude plywood, others stare openly through ragged, blanched curtains. The low overhanging roof is tinged with a rotten green.



The front door is bizarrely offset, letting the sickly yellow siding and the crumbling red bricks take precedent. Two chipped and tapering columns barely support the spartan gable. Tentative cats dart in and out of holes in the foundation. The dwelling's most disturbing feature, however, is not located at the front door, but rather on the pediment at the other end of the house.



Positioned neatly over the sagging curtains is an unlikely element on any house: a clock. Probing vines have climbed all the way to the old time-piece's face, gathering it in their arms like a trophy.



The clock is itself an oddity, displaying an unused-for-bygones strip of fluorescent light. The hands have eternally frozen at about 2:14. Was it in the early morning or afternoon? Do the residential spirits take flight at this hour, causing neighbors to flee to their bedrooms, closing their blinds?

This clock presents a vast number of questions, but they will never be answered; neither will the questions raised by what we found sleeping in the old carport behind the house.



This ghastly vehicle is a 1947 Cadillac hearse. It has since vacated the premises, leaving the house alone with its clock and its cats. I imagine it might have departed this world altogether.

The car is at once terrifying and gorgeous. Being a 1947 model, it exemplifies the streamline modern style prevalent on just about everything in that era. Here are a few detail pictures:



The decaying house in Judsonia remains a mystery to me. I've asked folks living nearby about it before, but have never gotten any answers regarding its condition, the rusting clock, or the stately hearse. Though the Cadillac is gone, the house still stands, haunting the minds of the few explorers of downtown Judsonia.

Well, that concludes my October Special. Expect a return to normal postery once we pass into November (the realm of my nemesis: Christmas; that juggernaut of commercialism who has me crying "HUMBUG!" until about a week before its actual date, and who is always poised to strike out Halloween before it has even occurred). Ciao!

-Jonesy

Tuesday, October 13, 2009

October Special: Part 3

October is a time for phantoms, specters, and revenants to wander the earth unchallenged. And what are more ghostly than ghost signs?



Signs peer out from behind peeled back plaster, like this nearly-unidentifiable example in Morrilton, Arkansas.



Astral beings are the only souls slinking through the old square in tiny Newark, Arkansas. Perhaps the apparition of the wall dog that painted this sign across from the railroad haunts the shadows of this building.



Whatever hotels still exist in Paris have certainly now been banished to sprawl zones, leaving this the only indicator of any such business.



This rust-colored wall in Paris has boiled away enough to show some of its previous identities.



The oldest building in Russellville is also an epitaph for Selz, a defunct brand of shoes, as well as a meat market, among other things. An enterprising denizen of the 21st century also has left his transient mark on the building.



The flesh of downtown Wynne's carcass is beginning to slough off, revealing sinewy ghost signs. This building's signs in particular seems to be reflecting the dismal conditions of the tarp-covered goods being sold in front of its facade. The face of this building reminds me of an afflicted older gentleman, gazing silently at the rot surrounding him and attempting to stand tall over it. I can only hope that he succeeds.



The side of the same building is a pale wipe of signs, all of them as mysterious as the cemented-in windows.



The ancient text "Royal Crown" is creeping out from under the "Wholesale Parts" sign, perhaps betraying an earlier, more glamorous purpose for this building. I'll leave you with this sad reminder of the state of almost all of Arkansas's dead and dying small towns. Be wary, this October 31st, when the souls of the dead walk the earth, of the wandering spirits of Arkansas. I am not so sure they will be happy with us.

-Jonesy

(P.S.: I recently wrote an article on ghost signs for the Arkansas Farm Bureau magazine "Front Porch," which should be coming out sometime this week or next. Hurrah for being published!)